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Printmaking · Yarmouth

Hubert Robert

Hubert Robert (French, 1733–1808) Active 1733–1808. Public-domain works from the Cleveland Museum of Art Open Access collection, used as development stand-ins for the Organized Chaos Arts directory.

Development stand-in portrait: person looking slightly off camera (not a photograph of Hubert Robert)

Yarmouth, Nova Scotia

Selected work

PrintmakingYarmouth

From the studio

5 works, from the studio to here.

  • Les Soirées de Rome: Le Buste

    Hubert Robert · etching · 1764

    Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome. On the title page, Robert dedicated the suite to Marguerite Le Compte, who visited Rome in 1764 in the company of the wealthy author and art enthusiast Claude Henri Watelet. Both Le Compte and Watelet were amateur etchers, and they socialized with a group that included artists and printmakers centered at the academies in Italy. Robert’s dedication was likely motivated by the hope of future patronage from Le Compte. She may be the generous woman with a hand muff depicted in The Ancient Temple, the fifth scene in this series. Image and data from the Cleveland Museum of Art, released under Creative Commons Zero (CC0).

  • Le Puits

    Hubert Robert · etching · 1763

    Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome. On the title page, Robert dedicated the suite to Marguerite Le Compte, who visited Rome in 1764 in the company of the wealthy author and art enthusiast Claude Henri Watelet. Both Le Compte and Watelet were amateur etchers, and they socialized with a group that included artists and printmakers centered at the academies in Italy. Robert’s dedication was likely motivated by the hope of future patronage from Le Compte. She may be the generous woman with a hand muff depicted in The Ancient Temple, the fifth scene in this series. Image and data from the Cleveland Museum of Art, released under Creative Commons Zero (CC0).

  • Le Sarcophage

    Hubert Robert · etching · 1763

    Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome. On the title page, Robert dedicated the suite to Marguerite Le Compte, who visited Rome in 1764 in the company of the wealthy author and art enthusiast Claude Henri Watelet. Both Le Compte and Watelet were amateur etchers, and they socialized with a group that included artists and printmakers centered at the academies in Italy. Robert’s dedication was likely motivated by the hope of future patronage from Le Compte. She may be the generous woman with a hand muff depicted in The Ancient Temple, the fifth scene in this series. Image and data from the Cleveland Museum of Art, released under Creative Commons Zero (CC0).

  • The Antique Gallery

    Hubert Robert · etching · 1763

    Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome. On the title page, Robert dedicated the suite to Marguerite Le Compte, who visited Rome in 1764 in the company of the wealthy author and art enthusiast Claude Henri Watelet. Both Le Compte and Watelet were amateur etchers, and they socialized with a group that included artists and printmakers centered at the academies in Italy. Robert’s dedication was likely motivated by the hope of future patronage from Le Compte. She may be the generous woman with a hand muff depicted in The Ancient Temple, the fifth scene in this series. Image and data from the Cleveland Museum of Art, released under Creative Commons Zero (CC0).

  • The Statue in Front of Ruins

    Hubert Robert · etching · 1763

    Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome. On the title page, Robert dedicated the suite to Marguerite Le Compte, who visited Rome in 1764 in the company of the wealthy author and art enthusiast Claude Henri Watelet. Both Le Compte and Watelet were amateur etchers, and they socialized with a group that included artists and printmakers centered at the academies in Italy. Robert’s dedication was likely motivated by the hope of future patronage from Le Compte. She may be the generous woman with a hand muff depicted in The Ancient Temple, the fifth scene in this series. Image and data from the Cleveland Museum of Art, released under Creative Commons Zero (CC0).

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